Darkness - Lord Byron
A Haunting Vision of the World’s End
I had a dream, which was not all a dream.
The bright sun was extinguish’d, and the stars
Did wander darkling in the eternal space,
Rayless, and pathless, and the icy earth
Swung blind and blackening in the moonless air;
Morn came and went—and came, and brought no day,
And men forgot their passions in the dread
Of this their desolation; and all hearts
Were chill’d into a selfish prayer for light.
And they did live by watchfires—and the thrones,
The palaces of crowned kings—the huts,
The habitations of all things which dwell,
Were burnt for beacons; cities were consum’d,
And men were gather’d round their blazing homes
To look once more into each other’s face;
Happy were those who dwelt within the eye
Of the volcanos, and their mountain-torch:
A fearful hope was all the world contain’d;
Forests were set on fire—but hour by hour
They fell and faded—and the crackling trunks
Extinguish’d with a crash—and all was black.
The brows of men by the despairing light
Wore an unearthly aspect, as by fits
The flashes fell upon them; some lay down
And hid their eyes and wept; and some did rest
Their chins upon their clenched hands, and smil’d;
And others hurried to and fro, and fed
Their funeral piles with fuel, and look’d up
With mad disquietude on the dull sky,
The pall of a past world; and then again
With curses cast them down upon the dust,
And gnash’d their teeth and howl’d; the wild birds shriek’d,
And, terror-stricken, did forget their slumber;
The beasts crept to their caves and lick’d their bones,
And trembled in their dens; the mortal remnant
Fed upon mortals, and the pang of famine
Was keen as death; devour’d and was devour’d;
Even dogs assail’d their masters—all save one,
And he was faithful to a corse, and kept
The birds and beasts and famish’d men at bay,
Till hunger clung them, or the dropping dead
Lur’d their lank jaws; himself sought out no food,
But with a piteous and perpetual moan,
And a quick desolate cry, licking the hand
Which answer’d not with a caress—he died.
The crowd was famish’d by degrees; but two
Of an enormous city did survive,
And they were enemies; they met beside
The dying embers of an altar-place
Where had been heap’d a mass of holy things
For an unholy usage; they rak’d up,
And shivering scrap’d with their cold skeleton hands
The feeble ashes, and their feeble breath
Blew for a little life, and made a flame
Which was a mockery; then they lifted up
Their eyes as it grew lighter, and beheld
Each other’s aspects—saw, and shriek’d, and died—
Even of their mutual hideousness they died,
Unknowing who he was upon whose brow
Famine had written Fiend. The world was void,
The populous and the powerful was a lump,
Seasonless, herbless, treeless, manless, lifeless—
A lump of death—a chaos of hard clay.
The rivers, lakes, and ocean all stood still,
And nothing stirr’d within their silent depths;
Ships sailorless lay rotting on the sea,
And their masts fell down piecemeal; as they dropp’d
They slept on the abyss without a surge—
The waves were dead; the tides were in their grave,
The moon, their mistress, had expir’d before;
The winds were wither’d in the stagnant air,
And the clouds perish’d; Darkness had no need
Of aid from them—She was the Universe.
In “Darkness,” published in 1816, Lord Byron imagines a cataclysmic end of the world, one in which the sun has died, leaving humanity to stumble through perpetual night. Written at a time of global climate anomalies (partly due to the 1815 eruption of Mount Tambora), the poem mirrors an atmosphere of impending doom. Through vivid, often harrowing imagery, Byron depicts a society that collapses into chaos, self-destruction, and desperation for light.
The poem unfolds a panorama of worldwide cataclysm: fires burn in place of the absent sun, forests ignite, and once vibrant cities lie ruined under an ever-present darkness. Byron contrasts the primal, desperate response of humans—destroying their surroundings for mere survival—with natural imagery of silence and desolation, revealing how quickly civilization falls. Even animals, which might represent innocence, turn predatory or perish. Within this universal despair, Byron emphasizes the breakdown of moral and social order: cannibalism arises, enemies die together, and even the last flicker of human warmth is a frail and final flame.
Beyond its dramatic scenario, “Darkness” highlights the fragility of human life and the thin veneer separating civilized order from chaos. By removing the sustaining element of sunlight, Byron underscores how humanity’s sense of purpose and morality can quickly unravel when deprived of nature’s essential gifts. Whether read as an environmental allegory or as a morbid reflection of human frailty, the poem demonstrates that our illusions of control might vanish under catastrophic conditions.
While apocalyptic, “Darkness” still resonates today, pointing to themes of ecological ruin, societal collapse, and the harrowing lengths to which human beings might go in desperate times. Each line reminds us that hope and order can fade rapidly if the structures we rely upon—both natural and societal—are dismantled. In closing with the stark statement that Darkness “was the Universe,” Byron leaves readers in a realm stripped of redemption, where humankind’s destructive impulses have ultimately been eclipsed by nature’s silent, unyielding void.
Key points
• The poem presents a stark apocalyptic vision of a world without light.
• Byron explores how social and moral systems can collapse under extreme duress.
• “Darkness” reflects anxieties prevalent during the ‘Year Without a Summer’ (1816) and beyond.
• The work underscores humanity’s dependence on nature and the thin line between civilization and chaos.