[Poem] MORNING VISIT TO MASTER CHAO’S TEMPLE FOR ZEN SCRIPTURE READING - A Calm Morning Immersed in Scripture

In this poem, Liu Zongyuan depicts a tranquil morning scene of spiritual introspection. He describes his simple, methodical tasks—collecting water, freshening himself, and dusting off his robes—as an invitation to wash away worldly distractions before focusing on the Zen scriptures. The “palm-leaf” (贝叶) references the traditional format of Buddhist texts, often inscribed on dried leaves.

As the poem progresses, Liu Zongyuan remarks on the contrast between the genuine, ungraspable “true source” and humanity’s tendency to chase illusions. The short lines convey the idea that enlightenment or understanding cannot be forced; it arises from patient openness to the “nothing to be seized” dimension of spiritual truth. His stepping into the eastern chamber—often associated in Chinese culture with fresh beginnings—further emphasizes the sense of renewal and clarity he seeks.

The final lines nod to the hope of transcending this transient world, aiming for deeper insight or perhaps rebirth in a place of higher awakening (“the realms of all the Buddhas”). This emphasis on separation between the real and the illusory resonates with the essence of Chan (Zen) Buddhism, which seeks direct experience of the nature of reality. Through humble, everyday actions—like cleaning garments or reading scriptures—Liu Zongyuan suggests that one can cultivate a state of mind ready for genuine insight.

Such a poem also hints at Liu Zongyuan’s own life circumstances: partly due to political exile, he turned inward to find solace and meaning. By dedicating his early hours to study and reflection, he framed his exile not simply as a misfortune but as an opportunity for spiritual growth. Though seemingly modest, these daily rituals become a profound means of transcending attachment and merging with the flow of the Buddhist path.