Stone Drum Song - Han Yu
/石鼓歌 - 韩愈/
Stone Drum Song - Han Yu
/石鼓歌 - 韩愈/
Han Yu’s “Stone Drum Song” (《石鼓歌》) is an ode to the so-called Stone Drums—ancient relics dating back to the time of King Xuan of the Zhou Dynasty. These drums, engraved with early Chinese characters, were discovered centuries later in a state of disrepair and dispersal. In composing this poem, Han Yu laments the passing of time, the collapse of once-mighty dynasties, and the transience of human ambition.
Throughout the poem, images of desolate fields, lonely mountains, and ceaseless wind and rain emphasize how all things—no matter how powerful—succumb to history’s indifference. Even the grand achievements of figures like Qin Shihuang and Emperor Wu of Han, who embodied imperial might, cannot eclipse the quiet testament of these ancient stones. The poet underscores the theme that emperors, armies, and peoples all must inevitably fade, leaving only cryptic traces on stone for later generations to puzzle over.
Yet Han Yu’s lament is not wholly despairing. He yearns to gather the Stone Drums, to bring them where people can observe their inscriptions and learn from the cyclical nature of rise and fall. By setting them ‘in a prominent place,’ Han Yu seeks to offer a lesson for all who gaze upon them: prosperity and decline follow one another, and no worldly glory endures forever. The poem’s concluding sigh for the Six Dynasties further reminds us that even great cultural flourishes are but moments in the endless flow of time.
In many ways, “Stone Drum Song” aligns with the broader Confucian worldview that urges moral reflection on history’s lessons. The poet’s personal longing and existential contemplation stand as a cautionary tale against arrogance: if the mightiest rulers become only an echo in the mountains, how can any individual trust in permanence? For readers today, the poem resonates as a meditation on impermanence, urging humility, historical awareness, and reverence for what remains of the distant past.
• Han Yu’s poem reflects on how powerful empires and achievements ultimately fade into history.
• The Stone Drums serve as silent witnesses to vanished dynasties, reminding us of life’s transience.
• Classical images of mists, emptiness, and drifting clouds reinforce the theme of impermanence.
• Despite his lamentation, Han Yu proposes preserving historical relics so that future generations might learn from both triumphs and defeats.